➜ De-esser in FL Studio

The de-esser is a powerful tool for any audio engineer, producer, or musician.

It’s an essential part of any audio production, as it allows you to tame sibilance, or harsh ‘ess’ and ‘shh’ sounds, that can ruin a mix.

FL Studio is a popular and powerful digital audio workstation that many producers, engineers, and musicians rely on every day.

This article will discuss the de-esser in FL Studio, and how to best use it to achieve a clear and balanced mix.

We’ll look at how the de-esser works, how to set it up, and the best ways to use it in your productions.

We’ll also explore some common pitfalls that can arise when using the de-esser in FL Studio, and how to avoid them.

Whether you’re a beginner or a pro, this article will give you all the information you need to get the most out of the de-esser in FL Studio.

Inserting the De-esser Plugin

The first step to using a De-esser plugin in FL Studio is to insert it on the channel you wish to use it on.

To do this, simply click the “Insert” button on the channel and select the De-esser plugin from the list of available plugins.

Once the plugin is inserted, you can access its settings and customize it to your liking.

You may need to experiment with different settings to find the best balance for your sound.

When you’re happy with your settings, you’re ready to mix your track with the De-esser.

Adjusting the Threshold Levels

After setting up the de-esser, the next step is adjusting the threshold levels.

It’s important to get the threshold level just right, to make sure the de-esser is not affecting any other parts of the mix.

To do this, start by soloing the vocal track and then adjust the threshold level until you hear a faint “thump” when a sibilant occurs.

This will ensure that the de-esser is only targeting the sibilance.

Additionally, you may need to adjust the “ratio” slider to fine tune the de-essing effect.

Setting the Attack and Release Times

Setting the attack and release times is a critical step when using a De-esser in FL Studio.

Attack time is the amount of time it takes for the De-esser to kick in after a sibilant frequency is detected.

Release time is the amount of time it takes for the De-esser to return to its original level after the sibilant has finished.

Setting the attack time correctly is important because if it is set too low, it can reduce the clarity of the vocal; if it is set too high, the De-esser won’t kick in quickly enough.

Similarly, if the release time is set too low, it can cause audible pumping; if it is set too high, the De-esser won’t be able to properly reduce the sibilance.

Adjusting the Frequency Bandwidth

Adjusting the Frequency Bandwidth will allow you to hone in on the exact frequency range that the sibilance is living in.

This will result in more accurate and specific processing, allowing you to get the desired result without affecting other parts of the track.

Begin by setting the High Cut filter frequency to 6k for most applications.

Then slowly bring down the frequency until you hear the sibilance disappear.

Make sure to keep an eye on the amount of Gain Reduction applied as you do this; if it gets too high, the de-esser will be over-processing and you will lose clarity in the source material.

Applying the De-esser Effect to Audio

Applying the De-esser effect in FL Studio is an excellent way to reduce the amount of sibilance in your audio recordings.

To begin, insert the De-esser effect onto the track you want to affect.

Adjust the filter frequency range to the range of frequencies you want to reduce.

Then, adjust the Threshold and Ratio knobs to determine how much sibilance is removed.

Finally, adjust the Attack and Release knobs to determine how quickly the de-esser applies the effect.

With careful adjustment, you can achieve a smooth, balanced sound.

Automating the De-esser

The De-esser in FL Studio is a great tool for controlling excessive sibilance in vocal recordings.

When used correctly, it’s a very powerful tool for giving your vocals a more polished sound.

But, with all the parameters available, manually adjusting them can be a bit tedious.

Fortunately, FL Studio offers an automated de-esser that can give great results without the hassle.

To use the automated de-esser, simply set the frequency you want to target, then use the Dry/Wet control to set the intensity of the effect.

There’s also a sidechain section that can be used to further refine the sound.

With just a few adjustments, you can quickly achieve great results with the automated de-esser.

Enhancing the De-esser Effect

Enhancing the De-esser effect in FL Studio is a great way to reduce the amount of sibilance in your audio.

To do this, locate the De-esser plugin in the Mixer window, and adjust the frequency, threshold, attack, and release sliders to fit the audio material.

Typically, you will want to reduce the frequency slider to pinpoint the sibilant frequencies in the audio, then increase the threshold slider to reduce the intensity of the sibilance.

Additionally, adjusting the attack and release sliders will allow you to control how quickly the De-esser will act upon the sibilance.

With the proper adjustments, the De-esser effect should help to reduce the harshness of the sibilance without impacting the overall quality of the audio track.

Using Side-chain Compression with the De-esser

Side-chain compression with the De-esser is a very useful way to achieve a great sounding final mix.

Side-chain compression in FL Studio is a great way to reduce the frequency of unwanted sibilance and other high frequencies, while still allowing your vocal to be heard.

Side-chain compression can also be used to make sure that the vocals don’t get too loud and out of control.

To do this, set up a side-chain compression track in FL Studio and then insert the De-esser on that track.

Set the threshold to the desired level and then adjust the attack, release, and gain of the compressor to find the perfect balance for your de-essing needs.